Burgundian Black
Burgundian Black is an interdisciplinary research project combining the expertise of contemporary artist Claudy Jongstra and academic research group ERC Artechne to investigate and reimagine pre-modern colour-making technologies.
The research focuses on black textile dyes made from natural colourants in the Burgundian-Habsburg dominions (c.1364-1580s). The deep and lustrous black tones that master dyers attained in this period were unprecedented in northern Europe, as was the rising demand for luxury black clothing – captured in portraits of nobility and urban patriciates by Flemish master painters.
While very few black-dyed textiles from the Burgundian period have survived, this project traces the colour through centuries-old recipe books, manuscripts, and archival records that detail the multi-sensory processes behind its making. The materials and techniques in these historical recipes were common knowledge for master dyers of the pre-modern period, but were largely lost with the rise of synthetic colour industries.
The team at Studio Claudy Jongstra contributed the tacit knowledge of natural materials and of plant-based dye processes, necessary to conduct this research — interpreting and recreating centuries-old Burgundian black recipes.
The Burgundian Black research, coordinated by Dr. Jenny Boulboullé, was done in collaboration with the Department of Heritage at the University of Antwerp and the Cultural Heritage Agency (RCE) Research Laboratory.
The Burgundian Black research project was the subject of the collaborative exhibition, Back to Black at Museum Hof van Busleyden in Mechelen, Belgium (June 21, 2019 - June 21, 2021).
With the curatorial aim of creating an active dialogue between past, present, and future, the exhibition featured Burgundian portraits by Netherlandish master painters depicting dignitaries in luxurious black clothes. The historical significance and perception of the colour black in the Burgundian period, exemplified in the portraits, was experienced alongside its contemporary interpretations through archival research and contemporary art.
This research is also the subject of the open-source publication, Burgundian Black: Reworking Early Modern Colour Technologies (2022), edited by Jenny Boulboullé and Sven Dupré.
Claudy Jongstra has also incorporated Burgundian Black into her contemporary artwork, including her collaboration with Viktor&Rolf on their Spiritual Glamour AW19 Haute Couture Collection, her artwork Truth and Beauty in Black for Mingei International Museum in San Diego, California, and the monumental installation for her solo exhibition at Museum De Lakenhal in Leiden, NL.
In collaboration with: Artechne, Techniques in the Arts, 1500-1950 (European Research Council) led by Sven Dupré
Publication: Jenny Boulboullé and Sven Dupré. 'Burgundian Black: Reworking Early Modern Colour Technologies.' Santa Barbara: EMC Imprint, 2022.
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Burgundian Black: Reworking Early Modern Colour Technologies












